Week 85_Drive-Thru / by Anti Materia

Disturbed, Hacked,
Reassembled

 

Lewisham Arthouse
12 Oct – 5 Nov 2017, Wed–Sun, 12–6pm
Lisa Carletta
Keiken
Suzannah Pettigrew
Tabita Rezaire

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 Tabita Rezaire,  Sugar Walls Teardom (Homage to Dark Labia) , 2016. Installation with HD video.

Tabita Rezaire, Sugar Walls Teardom (Homage to Dark Labia), 2016. Installation with HD video.

Disturbed, Hacked, Reassembled explores how artists today are employing technology to stage, interrogate and celebrate the digital female body. Disturbed, hacked, and reassembled, the body is being experienced in new ways digitally and virtually.


Central to feminist critiques of sex and gender, the body is the site of visual difference and it is through the body that difference is experienced and lived. The development of technology and the inception of the Internet have opened up online spaces and virtual worlds that are inhabited by interactive avatars, orbiting 3D body parts and user generated identities. Disturbed, Hacked, Reassembled reflects on these developments and our enduring fascination with the posthuman. Are new technologies helpful for our understanding of gender or do they perpetuate traditional concepts of masculinity and femininity? Are subject and object fixed positions or can they be challenged by embodying the virtual? What do new imaging technologies mean for the representational and the real? By exploring a range of subjects including 3D digital modelling, the virtual body, the dissemination of the female image and digital healing, the project asks, what are the limits and freedoms of the digital body?


The exhibition presents new and existing works by three artists and an artist collective spanning moving image, virtual reality, animation and video installation. ‘Paradise Found’ (2017) by Lisa Carletta uses 3D scanning technology and animation to explore the disintegration and reconstruction of identity, the body and the digital self. She presents a digital avatar of herself which resists the body image ideals that are advanced online in 3D CGI image libraries. The reality of representation is also explored in Suzannah Pettigrew’s ‘IC€Y’ (2017), a four channel video installation that explores the fragility of social currency. Hierarchical systems and iconographies of the female experience are investigated and dissected using footage sourced online. Content is reassembled and assigned new forms, the video of a video of a video, information on information on information. Keiken present ‘Silicon_Animism | The Birth of Mother Digital’ (2017), an interactive installation where the cybersoul contracts in the interuterus. VR, video and sound trace the birth of the digital, a giant networked space fused with human interaction and technology. Advancements in technology are also investigated in ‘Sugar Walls Teardom (Homage To Dark Labia)’ (2016) by Tabita Rezaire. The work explores the contributions of black women’s wombs to the advancement of modern medical science and technology. The work attempts to heal exploited and abused female bodies and celebrate womb technology through an account of coercive anatomic politics.

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Disturbed, Hacked, Reassembled also plays host to a programme of performance, discussion and workshops. Speakers from a range of backgrounds will exchange ideas surrounding the posthuman, the cyborg, digital eroticism, feminist digital art practices and the augmented body, as well as the gender gap in the world of technology, female representation online and the importance of digital exchange. Workshops led by artists and tech professionals give participants an opportunity to use the latest technology to reassemble, recreate, repurpose or resist their own ideas around gender, race, sexuality and the body.


By presenting these works together, alongside a programme of performance, discussion and workshops, Disturbed, Hacked, Reassembled demonstrates how the site of the female body, in a digital era, continues to pose important questions around commodification, gender binaries, representation, sexuality and race. As the discourse surrounding these subjects continues to develop, the project creates a space for reflection, a platform to disturb, hack and reassemble existing conditions and newfound knowledge.


Disturbed, Hacked, Reassembled is curated by DRIVE-THRU with thanks to Lewisham Arthouse.

 Lisa Carletta, Paradise Found, 2017. 3D animation / HD video. 

Lisa Carletta, Paradise Found, 2017. 3D animation / HD video. 

PROGRAMME


11 OCTOBER 7:00–10:00pm
Exhibition Opening
19 OCTOBER 7:30–9:00pm
Re-wiring the Body
A panel discussion with Rosanna McNamara (Programming Assistant | Cultural Programming Team | King’s College London), Kate O’Riordan (Professor of Digital Culture | School of Media, Film and Music,
University of Sussex), Rebecca Saunders (Teaching Fellow | Digital Humanities | King’s College London).
26 OCTOBER 7:30–9:00pm
The Representational & The Real: Bodies in Digital Space
A panel discussion with BetaBabes (Francesca Altamura & Tamar Clarke-Brown | Artist-Curatorial
Collective), Suzannah Pettigrew (Artist), Helen Pritchard (Researcher & Head of Digital Arts | Goldsmiths
University, London), Doniya Soni (Policy Manager | Skills, Talent and Diversity, techUK).
&
3D Body Hack
3D modelling workshops with artists Kirstin Barnes & Jack Marder

VR & CODE with 23 CODE STREET
Workshops using VR and code to assemble new virtual environments

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Other events to be announced, for booking and further details:
drivethru.org.uk
Lewisham Art

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